Ilayaraja is one of the finest music directors whom I admire most. He surprises me every time, with his great knowledge base and composing ability. In this post I am going to share the great technical intricacies hidden in few of his compositions which have got me goose bumps, when I hear them and try to decipher it.
One such mystery is the song “Malargalil Aadum” from the movie Kalayana Raman sung by S.P.Shailaja. Any common man hearing this song could not stop himself from appreciating the great composition. But for those, who are trained in classical music, it could be a mystery. The song is actually based on the Ragam “Mohanam”. It took several minutes for me to decide whether the Ragam is “Mohanam” or “Sudha saveri”. Something was preventing me to decide on either side. Then I browsed in the net to check out the ragam. In few of the sites/ blogs, it was mentioned as Mohanam and some other sites it was mentioned as Sudha saveri. In some others it was mentioned as Mohanam/Sudha saveri.
Now this brought me more confusion and it was a challenge for my brain cells. One side of my brain tells it is sudha saveri and the other says it is Mohanam. Now at this instance, I decided to notate the song. I found all the swaras are of Mohanam. But I asked myself, why was it difficult for me to identify the Ragam? Why am I not confident? I started analyzing the reason. It is after 1 hour, it struck me, IR has done some magic in this song. And now I reveal the magic. IR has carefully done a Griha beda/Sruthi bedam in the song. For those, who don’t understand the terms, please read the post completely.
The Arohana and the Avarogana of Mohanam is
S R2 G3 P D2 S
S D2 P G3 R2 S
But the Arohana and Avarogana of Sudha saveri is
S R2 M1 P D2 S
S D2 P M1 R2 S
Logic of Griha bedam.
Look at the following figures
If you carefully look at these figures, sudha saveri varies from Mohanam in the third note [G for mohanam and M for Sudha saveri].
But if you think logically, you can bring sudha saveri from Mohanam, if you extra polate and shift the sadjam
If you see the above figure, we can see the S[sadjam] is shifted to P[panchamam] and therefore the subsequent swaras take appropriate position to get the sudha saveri Raga. But the Swaras are still on the Mohanam scale. Now you compare the above figure with the one for sudha saveri and find out how this magic works.
The song starts like this,
Malargalil aadum ilamai pudumaiye
PDGR SDP GRG PD PD
Manadhukkul odum ninaivu inimaye
PDGR SDPGRG PDPD; P
In the song, the chord progressions are such a way, that the Panchamam is heard as sadjam in our ears and thus we conceive the whole composition to be on shudha saveri.
Look out for more such posts on my blog.
Posted by Jenni on October 23, 2011 at 1:39 PM
Interesting blog you have here, Ravi. Really enjoyed reading your write-up on this song. Looking forward to reading more of your posts.
Posted by ravikumarv on October 23, 2011 at 8:06 PM
Thanks Jenni for your comments. I will continue to post similar articles. Thanks once again
Posted by surendar on November 3, 2011 at 9:17 PM
sir, super……i like your articles and please keep giving me such wonderful treatise…..
Posted by ravikumarv on November 3, 2011 at 10:13 PM
Thanks surendar for your comment
Posted by RAMESH E on May 26, 2012 at 4:43 AM
MALARGALIL AADUM ILAMAI – ONE AMONG THE SONG WAS FAVORITED, PARTICULARLY HUMMING BEFORE BEGINNING AND THE BEGIUM BETWEEN PHRASES..
Posted by ravikumarv on May 26, 2012 at 5:26 AM
Thanks Ramesh for your comments. “Malargalil Aadum Ilamai” is one of the Ilayaraja’s finest compositions. The charanam’s starting “poo marathin vaasam vandhaal yethetho aasai nenjukkul thaanaadum” touches my heart everytime I hear it. The song is as fresh as it was composed few minutes back. Hats of to Raja sir.
Posted by Arvind N on July 20, 2012 at 7:23 AM
Hi Ravi,
First of all my heartiest thanks to you for this article. I am a student (only by hearing) of Carnatic music, especially recently due to Mr.Ilayaraja’s music. I have been listening to Raja sirs compositions all my life but have starting admiring more and more of His work each day progressively based on my limited understanding of ragas.
As a programmer with appreciation for pattern recognition, I found your article to be extremely well written and easy to understand. I like the way you showed the Griha bedam for Mohanam and Sudha Saveri through the chart, hats off to you !!
Looking forward to more articles along the same lines, specifically with respect to Tamil Movie and Carnatic music comparisons. If I could humbly request one thing it is that you please create a separate section for Music since it is a science by itself and I can have new learners like me visit your links 😉
Cheers
Arvind.
Posted by ravikumarv on July 20, 2012 at 9:49 AM
Hi Arvind,
Thanks for your nice words and time to write such an appreciation/comment on my blog.
Its great that you liked my post. I would definitely create a separate blogging arena/space
to post articles relating to music. Please feel free to comment/criticize any of my
posts so that I can improve and provide quality posts for the readers.
Also feel free to mail me any time for any suggestions. My mail is is ravi.fma@gmail.com
Regards,
Ravi
Posted by Arvind N on July 23, 2012 at 8:33 AM
Super good, Thanks. Will contact you soon.
Arvind.
Posted by ganesh on December 9, 2013 at 1:12 PM
Is this same as inversions in western music
Posted by ravikumarv on January 2, 2014 at 9:03 PM
Nope. This is different from inversions. Inversions in western is just changing the chord sequence. However, this is more of shifting the base frequency.
Posted by sai kumar krishnan on April 28, 2014 at 6:52 PM
Thank you very much for enlightening us. Despite all this it sounds as Suddha Saveri only to me with Raga Pahadi in between. But a lay man can only understand this much. Shri Ilaiyaraja has enthused music lovers all over the world with his melodies. With best regards. Sai kumar krishnan
Posted by ravikumarv on April 29, 2014 at 11:56 PM
Sai kumar,
Thanks for your response. your encouragements keep us going.
Regards,
Ravi
Posted by hari srinivasan on September 6, 2014 at 9:02 AM
great analysis. i like the way you have presented this song. amazing.
Posted by ravikumarv on September 7, 2014 at 2:58 AM
Thanks for your response.
Posted by anandkumarrs on March 31, 2016 at 5:08 AM
Great analytical post! Keep writing!
While on this, pls read my tribute piece on Ilayaraja – “Ilayaraja 1000!!!”
Feedback most welcome.
Posted by ravikumarv on March 31, 2016 at 9:05 AM
Thanks and I would definitely read your blog.